" Crossfire ", "Murder, My Sweet ", " Thet Won't Believe Me, and "Out of the Past ". Great Pre - Hellinger Universal Noirs include " Phantom Lady ", and " The Suspect ". Let us not forget Fox great Noirs either.
![Cool 8)](./images/smilies/icon_cool.gif)
HOUSE OF STRANGERS, DOUBLE INDEMNITY, OUR VINES HAVE TENDER GRAPES, WOMAN IN THE WINDOW, SCARLETT, and KEY LARGO are six of the great film ( male ) performances of all time, and crearky outshines any of Eddie G's 1930's work.Dewey1960 wrote:Most of Robinson's 1930s Warner Bros gangster films (and their comic variants) have been covered in variety-pack box sets already. Beginning in the mid-1940s, after leaving Warners, EGR worked for most of the major studios, making a box set of that material problematic. But he was everywhere in the 40s: he did the poignant OUR VINES HAVE TENDER GRAPES for MGM, DOUBLE INDEMNITY and NIGHT HAS A THOUSAND EYES at Paramount, ALL MY SONS and the two Fritz Lang films WOMAN IN THE WINDOW and SCARLET STREET for Universal, HOUSE OF STRANGERS for Fox and THE STRANGER and THE RED HOUSE for independenet producers (which I believe were originally released through United Artists). It's funny how his 30s films are usually the ones that generate the most conversation, but it wasn't until the 40s that he became a fully realized, mature actor.