I WAKE UP DREAMING 2011: THE LEGENDARY & THE LOST
Posted: April 5th, 2011, 10:16 pm
It's that time of year again, folks! Next month I'll be presenting my annual film noir extravaganza at the Roxie Theater in San Francisco! Here's the inside dope with a rundown of the line-up of films. To get full descriptions, check out the Roxie website at http://roxie.com/events/details.cfm?eve ... 45F0C5EF8D
I WAKE UP DREAMING—2011 : The Legendary and the Lost!
TWO THRILLING WEEKS of sensationally RARE film noir straight from the shadowy depths of Hollywood’s hidden vaults!
FRI MAY 13 – THUR MAY 26
TWENTY-EIGHT excitingly different films—FOURTEEN amazing double-features—will blossom madly once again this spring as FILM NOIR returns to the historic 102 year old Roxie Theater in San Francisco! Highlighting our current cavalcade of legendary but seldom screened noir classics are PHANTOM LADY (1944), Robert Siodmak’s brilliant adaptation of Cornell Woolrich’s novel of erotic suspense; MINISTRY OF FEAR (1944), Fritz Lang’s sinister tale of murder and espionage; another Cornell Woolrich classic, the haunting supernatural noir NIGHT HAS A THOUSAND EYES (1948); and star-director Robert Montgomery’s curiously elusive RIDE THE PINK HORSE (1947) taken from the great novel by Dorothy B. Hughes. All four of these films, along with THE WEB (1947) starring perennial fan favorite Edmond O’Brien and the often-overlooked SMOOTH AS SILK (1946), will be presented in beautiful 35mm studio archive prints from Universal!
Alongside these legendary classics will be NEWLY RESTORED 35mm PRINTS of NINE incredibly RARE noirs from COLUMBIA PICTURES / SONY, including: Edmond O’Brien again in 711 OCEAN DRIVE (1950); ace cinematographer John Alton’s magnificent AMAZING MR. X(1948); the ravishing Ann Dvorak in the uninhibited 1940 proto-noir CAFÉ HOSTESS; saucy Evelyn Keyes in the sadly neglected noir comedy DANGEROUS BLONDES (1943); slippery Franchot Tone in the thrilling private-eye noir I LOVE TROUBLE (1948); and a pair of unusual 50s B curios from director Fred Sears—the notorious Caryl Chessman expose CELL BLOCK 2455, DEATH ROW (1955) and the ultra rare cold-war melodrama THE 49th MAN (1953).
Of special additional note are the screenings of two rare and singularly important noirs: Edgar G. Ulmer’s RUTHLESS (1948) and John Parker’s unforgettable 1955 masterpiece of nightmare noir, DEMENTIA. Both are being presented in 35mm prints!
Programmed exclusively for the Roxie Theater by Elliot Lavine.
Here’s the whole line-up:
FRI MAY 13
PHANTOM LADY (1944)
DEMENTIA (1955)
SAT MAY 14
MINISTRY OF FEAR (1944)
STREET OF CHANCE (1942)
SUN MAY 15
THE NIGHT HAS A THOUSAND EYES (1948)
THE AMAZING MR. X (1948)
MON MAY 16
GUILTY BYSTANDER (1950)
C-MAN (1949)
TUES MAY 17
THE GREAT FLAMARION (1945)
ONCE A THIEF (1950)
WED MAY 18
RUTHLESS (1948)
WHISPERING CITY (1948)
THURS MAY 19
CUSTOMS AGENT (1950)
SMOOTH AS SILK (1946)
FRI MAY 20
DANGEROUS BLONDES (1943)
CAFÉ HOSTESS (1940)
SAT MAY 21
RIDE THE PINK HORSE (1947)
I LOVE TROUBLE (1948)
SUN MAY 22
711 OCEAN DRIVE (1950)
THE WEB (1947)
MON MAY 23
THE VIOLENT YEARS (1956)
DANCE HALL RACKET (1953)
TUES MAY 24
CELL 2455, DEATH ROW (1955)
CHAIN GANG (1950)
WED MAY 25
WORLD FOR RANSOM (1954)
THE 49th MAN (1953)
THURS MAY 26
KISS ME DEADLY (1955)
WITNESS TO MURDER (1954)
I WAKE UP DREAMING—2011 : The Legendary and the Lost!
TWO THRILLING WEEKS of sensationally RARE film noir straight from the shadowy depths of Hollywood’s hidden vaults!
FRI MAY 13 – THUR MAY 26
TWENTY-EIGHT excitingly different films—FOURTEEN amazing double-features—will blossom madly once again this spring as FILM NOIR returns to the historic 102 year old Roxie Theater in San Francisco! Highlighting our current cavalcade of legendary but seldom screened noir classics are PHANTOM LADY (1944), Robert Siodmak’s brilliant adaptation of Cornell Woolrich’s novel of erotic suspense; MINISTRY OF FEAR (1944), Fritz Lang’s sinister tale of murder and espionage; another Cornell Woolrich classic, the haunting supernatural noir NIGHT HAS A THOUSAND EYES (1948); and star-director Robert Montgomery’s curiously elusive RIDE THE PINK HORSE (1947) taken from the great novel by Dorothy B. Hughes. All four of these films, along with THE WEB (1947) starring perennial fan favorite Edmond O’Brien and the often-overlooked SMOOTH AS SILK (1946), will be presented in beautiful 35mm studio archive prints from Universal!
Alongside these legendary classics will be NEWLY RESTORED 35mm PRINTS of NINE incredibly RARE noirs from COLUMBIA PICTURES / SONY, including: Edmond O’Brien again in 711 OCEAN DRIVE (1950); ace cinematographer John Alton’s magnificent AMAZING MR. X(1948); the ravishing Ann Dvorak in the uninhibited 1940 proto-noir CAFÉ HOSTESS; saucy Evelyn Keyes in the sadly neglected noir comedy DANGEROUS BLONDES (1943); slippery Franchot Tone in the thrilling private-eye noir I LOVE TROUBLE (1948); and a pair of unusual 50s B curios from director Fred Sears—the notorious Caryl Chessman expose CELL BLOCK 2455, DEATH ROW (1955) and the ultra rare cold-war melodrama THE 49th MAN (1953).
Of special additional note are the screenings of two rare and singularly important noirs: Edgar G. Ulmer’s RUTHLESS (1948) and John Parker’s unforgettable 1955 masterpiece of nightmare noir, DEMENTIA. Both are being presented in 35mm prints!
Programmed exclusively for the Roxie Theater by Elliot Lavine.
Here’s the whole line-up:
FRI MAY 13
PHANTOM LADY (1944)
DEMENTIA (1955)
SAT MAY 14
MINISTRY OF FEAR (1944)
STREET OF CHANCE (1942)
SUN MAY 15
THE NIGHT HAS A THOUSAND EYES (1948)
THE AMAZING MR. X (1948)
MON MAY 16
GUILTY BYSTANDER (1950)
C-MAN (1949)
TUES MAY 17
THE GREAT FLAMARION (1945)
ONCE A THIEF (1950)
WED MAY 18
RUTHLESS (1948)
WHISPERING CITY (1948)
THURS MAY 19
CUSTOMS AGENT (1950)
SMOOTH AS SILK (1946)
FRI MAY 20
DANGEROUS BLONDES (1943)
CAFÉ HOSTESS (1940)
SAT MAY 21
RIDE THE PINK HORSE (1947)
I LOVE TROUBLE (1948)
SUN MAY 22
711 OCEAN DRIVE (1950)
THE WEB (1947)
MON MAY 23
THE VIOLENT YEARS (1956)
DANCE HALL RACKET (1953)
TUES MAY 24
CELL 2455, DEATH ROW (1955)
CHAIN GANG (1950)
WED MAY 25
WORLD FOR RANSOM (1954)
THE 49th MAN (1953)
THURS MAY 26
KISS ME DEADLY (1955)
WITNESS TO MURDER (1954)